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My basis, being Danish, would really lead me to feel that Danish dramas, where it all started, are where I feel best. I’m not sure how much I’m allowed to say without killing you. They’re either not super happy with a scene bit, the way we were acting, or maybe there’s something they want to add. Whether it’s bigger or less, I have no idea, I have nothing to compare with.
It’s the same film, it’s just adding little bits here and there to do the final polishing. It’s interesting because, obviously, films get reshot all the time but, for this one, it has been talked about everywhere.
You’re definitely influenced when it’s not your first language.The darkness of the humour was one of the biggest attractions for me.It’s always difficult with different approaches to comedy, and mine is the same as [director] Anders Thomas Jensen. I love the characters, that they’re children trapped in grown up bodies, behaving basically like children, which is a wonderful way to tell a story about gigantic, poetic things. What attracted you to the script and - in particular - the character you’re playing? The film has quite a dark sense of humour, it’s very offbeat.
I felt very comfortable doing this project because we’ve done it before. What’s the feeling you have from being involved with the film?